
Part of the Indian Ocean collection.
"Glass to commemorate and to celebrate"A major advancement in the making of glass was George Ravenscroft's usage of lead oxide in the chemical makeup of glass in 1674. This meant glass got a more transparent, clearer and sparkling appearance as well as increased strength. This also meant that the engravings on glass became more elaborate, which can be seen in the glasses present. The engravings were done in two techniques. First the diamond-point technique, with a tiny diamond on a pen, which allowed free decorations. Second, the wheel-cut technique; in which the glass is held against a rotating copper wheel, which gives a fine matte decoration against the lustrous background.
_Probably Rajasthan, 19th century_ _H. approx. 11 cm_ Provenance: Private collection, Switzerland (since the 1960s) A comparable gold throne for an idol from Gujarat or Maharashtra is illustrated in: M.E. Aitken, _When Gold Blossoms: Indian Jewelry from the Susan L. Beningson Collection_, London, Asia Society & Philip Wilson Publishers, 2004, p. 57.

The flask is in the form of morphing wild animals, one end ending in the form of a goat, the other of an Indian blackbuck. On the side decorated with a hunting tiger and prey. Along the middle there is a beautiful silver mount possibly covering an old break.