
Part of the Japan collection.

Carved from a slender section of bone, most likely a walrus baculum, the Dutchman, with two asymmetrical himotoshi to the back, has an elongated body following the natural orientation of the material and is dressed in a Chinese robe with wave border.


Yoshitora was active from about 1850 till about 1880. In 1849 he produced a print the censors interpreted as criticism of the Shogunate and Yoshitora was manacled for fifty days and afterwards moved from Edo to Yokohama where he continued to produce illustrations prolifically, particularly of foreigners who arrived in Yokohama after Japan had been forced to open its ports to foreign trade in 1868.