
Part of the Europe collection.

_Jamaica, Port Royal, dated 1690_ _H. 16 x W. 10.2 x D. 1.1 cm (case)_ The case attributed to Matthew Comberford (act. 1688-1692), the comb to Paul Bennett (act. 1670-1692) Provenance: - Architect Thomas Wallis (1873–1953), who designed the Tate Gallery, London; thence by descent - Gifted to the previous owner by the son of Wallis in the 1970s

_Amsterdam, circa 1738_ _Weight approx. 1960 grams_ _All bars are 98.7% pure silver_ Stamped with VOC Amsterdam monogram, and with the Amsterdam assayer’s hallmark of the Grill family, silver assayers in Amsterdam _Middelburg, circa 1738_ _Weight approx. 1700 grams_ _All bars are 98.7% pure silver_ Stamped with the VOC Zeeland/Middelburg monogram, with the Middelburg assayer’s hallmark of François Engelsen or with the assayer’s hallmark of Gerrit van Driel

Until recently these caskets were often classified as Spanish or Portuguese but it has become clear that they were produced over a very wide geographic area under European patronage in workshops in India, Sri Lanka, Batavia, China, the Caribbean, Central and South America in the seventeenth and eighteenth centuries. Distinguishing regional characteristics are generally only found in the type of decoration of the mounts.