

The blue-grey jade is inlaid with gold floral spray. It has ruby eyes and rubies also decorate the base of the hilt. The watered steel blade is chiselled with Islamic inscriptions.

The erotic scene at the reverse may perhaps be interpreted as the girl's daydream. It shows two female angels, heavenly beings that are normally repulsed by mankind's desire of sexual pleasure, engaged in lesbian affection. Affection between two women in the Persia of the 19th century was fairly common and well documented. They could even formalize their relations in an act called khahar khandegi (sisterhood-by-oath). Angels in Islam were thought to depart from people as soon as these people engaged in impure actions, which included, among others, sex, nudity, and also telling lies. In an angel's absence, the bad deeds were still noted, but the good deeds are no longer recorded for God. That is until this person ritually purified themselves. Another interesting layer is that Islamic scholarship generally sees angels are messengers of God without free will, and thus incapable of diverging from God's will.

An exquisite gem-set Mughal glass dagger formerly in the famous Al-Thani collection, India, Deccan, 18th century. The Al-Thani Collection in one of the most renowned and extensive private collections of art and artefacts in the world, including an exceptional array of weaponry.